everything that's on my mind

The second ten edition

I’ve had an exceedingly difficult time in ordering my top twenty this time around. Six of these albums were, at one time or another, in the top ten list over the last few weeks. I’ve been re-listening to albums and re-ordering them almost daily, and I know next week I’ll wish I could do it again.

This year has been a remarkable year for music and in another year, most of my top twenty albums could have been in the top ten. Yet, eventually I had to stop and let the list be what it is, and so I’ve settled on what begins below. These are (at least today) my second ten, as difficult as it was to leave some of them out of the top ten.
 

#20 : Monsters of Folk – Monsters of Folk

A “monster” collaboration like this one – M. Ward, Jim James (My Morning Jacket), and Conor Oberst and Mike Mogis (Bright Eyes) – is bound to generate high expectations. I’m not sure they met them, but for me they came pretty close. I like all of the artists and their distinctive styles on their own, and while the sum of the parts may still be greater than the whole, it’s a wonderful album nonetheless. Listen to: Say Please, The Right Place, Whole Lotta Losin’

#19 : Hello Hurricane – Switchfoot

Three albums later, Switchfoot has finally approached the greatness of their 2004 release The Beautiful Letdown, their best album to date. Hello Hurricane presents a “facing the storms of life” theme throughout the lyrics (evidenced in the album title) and there is a conspicuous U2 influence in the music. It’s not quite Letdown, but it’s as close as they’ve been since. Listen to: “Needle and Haystack Life“, “Mess Of Me“, “Bullet Soul“

#18 : Picket Fence Cartel – Project 86

I’ve been a fan of Project 86 for about eight years now, and their last release Rival Factions was a bit experimental. But they’ve returned to their roots with this seventh release, and it’s their best work in years. Their hard driving rock and Andrew Schwab’s singing/screaming borders on metal, and the lyrics are a bit heavier on spiritual themes than their past work. It might give you a headache, but in a good way. The Butcher, Cement Shoes, The Spectacle of Fearsome Acts

#17 : Church Music – David Crowder Band

David Crowder Band, unlike most “worship genre” artists, continues to remain fresh and innovative. Their newest release is no exception, and demonstrates one of the reasons they’re one of the few in that genre worth listening to at this point. Church Music‘s electronica sound is certainly a different animal than the bluegrass/rock of A Collision a few years ago, but it rivals it as the best of what these guys have done. Listen to: “The Nearness“, “SMS (Shine)“, “Eastern Hymn“

#16 : Hey La Hey – Michael McDermott

Singer-songwriter McDermott is a favorite of mine, and is a master at painting a picture with his lyrics. On his newest release he has shown that he was up to the task of following up Noise From Words (my #1 album in 2007). This is yet another strong album both musically and lyrically, full of compelling characters and stories. And, like Noise…, the best track is the album closer. If you haven’t been listening to McDermott, you need to start right now. Listen to: “The Great American Novel“, “I Wanna Know Why“, “Carry Your Cross“

#15 : Stockholm Syndrome – Derek Webb

The title hints that the church is too at home in the world in which we live. And far be it from Webb to be quiet about it. Lyrically, the familiar themes you expect are present, including calling the church to be more than what he finds in American Christianity. Musically, it’s electronic, programmed sound is unlike his previous work, but for me, it works. And also expected from Webb is the obligatory controversy. Listen to: I Love/Hate You, Cobra Con, What Matters Most

#14 : Curse Your Branches – David Bazan

David Bazan’s (Pedro The Lion) solo debut is an album that seems to have been born from the questions and doubts about God and faith with which he’s wrestled for many years. Lyrically, it’s pretty heavy and at times pointed, as his frustration with God and things spiritual pours out. Maybe an agnostic, maybe not, but he is not afraid to ask tough questions and challenge the standard answers. Listen to: Hard To Be, When We Fell, Curse Your Branches

#13 : Elvis Perkins in Dearland – Elvis Perkins in Dearland

I was completely unfamiliar with Perkins until about a month ago when I encountered this album on eMusic. He is the son of Anthony Perkins, and the tragedy in his life (his father’s death by AIDS, his mothers death on one of the planes on 9/11/01) has shaped his music and lyrics. There’s both darkness and hope here, at times haunting and other times celebratory. An array of instruments and styles are employed with tremendous results. Listen to: “Shampoo“, “Send My Fond Regards To Lonelyville“, “Doomsday“

#12 : Hold Time – M. Ward

You know by now that I’ve grown to love M. Ward this year (this being his third appearance in my lists) and this album is the reason why. It prompted me to get more from his catalog, thanks to eMusic, and I’ve yet to be disappointed. Ward’s influences appear to be all over the map – folk, rock, blues, country, Americana, and more. I love his distinctive vocals and he’s a phenomenal musician. Listen to: “Never Had Nobody Like You“, “Rave On“, “To Save Me“

#11 : The Hazards of Love – The Decemberists

The Decemberists can tell a good story, and they do so again on their newest – a love story in the form of a rock opera. The occasional dark and disturbing lyrics are there as expected, and the music is aptly described as 70′s prog folk opera. The songs aren’t as instantly memorable like some from previous albums, but of course it’s meant to be listened to as a whole. It is an exceptional piece of work, and in my opinion, their best work to date. Listen to: “The Hazards of Love 1“, “The Wanting Comes in Waves/Repaid“, “The Rake’s Song“

That’s it. That’s the list.

Up next: the top ten.

I’ve only recently become familiar with David Bazan’s music with his former band Pedro The Lion. I used to frequent a music news website a number of years back whose primary writer was a big fan of PTL. But, being in the days before music was readily available for previewing online via the likes of myspace, youtube, etc., I never heard any of PTL’s music until a few years ago when I came across it on eMusic.

Bazan was a Christian and his music reflected that, although not in the same way that much of the “Christian” music industry does. His songs often revealed the doubt he experienced, and he would discuss hard topics, asking more difficult questions about matters of faith than you will hear on the likes of K-life or Way-FM. (I don’t recall any Michael W. Smith songs about heroin addiction, though I admit I’ve not heard anything from him for years.)

Over the years, some of his questions, I suppose, have become too difficult to answer, or the answers too difficult to accept. This is reflected in his new album, Curse Your Branches, his first full-length solo album. Some have called this particular album a “break-up album”, with the relationship broken off being Bazan’s own with God. And for most of this album, that would seem an accurate representation of the songs. Along with singing about his struggles with alcoholism, he questions God, the Bible, and the church, his doubt on full display. In the opening track “Hard To Be”, he leaves the impression that he’s chosen to leave his faith behind. He’s reluctant to buy into the story of Adam, Eve and the Fall, and eventually concludes he must walk a different path:

So I swung my tassel
To the left side of my cap
Knowing after graduation
There would be no going back

And no congratulations
From my faithful family
Some of whom are already fasting
To intercede for me

However, in a recent article in Relevant Magazine, Bazan himself says he still believes, but he does not necessarily believe in the God he was raised to believe in, the more common or popular concept of God that most people have. It’s difficult to know for sure, because such statements could be seen as contradicting some of his lyrics on Curse Your Branches. While I’ve read mentions of agnosticism regarding Bazan’s spiritual state of mind, perhaps he hasn’t completely lost his faith, but rather refocused it on a God he sees as more believable than who he’s always understood God to be.

Overall, I think I’ve enjoyed this album more than the Pedro albums I own. It’s very well done both musically and lyrically, if a bit heavy and depressing at times.

Here’s “When We Fell” and “Curse Your Branches”: